DRUMline
MARLBORO MAN IN THE BOX




Sean Kinney and  me outside
Rainbow after OWL show at 
the Viper Room 2007

AIC lead singer William Duvall and me, Oct 2010
MARLBORO MAN IN THE BOX

      ‘Not going to AIC’ followed by a frowning emoticon was the text to my friend Ryan Brown. Alice in Chains was coming to St. Louis and although I wanted to go I didn’t really plan for it and was at home Friday night, the first of October 2010..

   There was just too much to do with business and taking care of my parents, farm and three dogs. Another concert just seemed like more work.   Then I got the call. ‘This is Chuck Randall (tour manager) with Alice in Chains and we need some cigarettes.' Initially I thought 'bullshit' but if someone was pretending why would they ask for cigarettes?

     Then my brain started to freak out because I really am a fan and have all their recordings having seen them once in support of DIRT; the loudest, most intense and best concert I have ever seen in a club setting. I somehow took the order although Chuck had to repeat it three times probably wondering if he called the right person.

   I told my family ‘I have to run, really can’t explain right now.’ I ran thru the shower, put on something quick and flew out the door.   Where the hell am I gonna get cigarettes, the warehouse was closed. I stopped by a drug store, no GPCs, then I remembered SAM’S Club and they had what I needed!

Mike Inez

 I got to the venue a half hour before show time and was ushered in to meet Chuck with a smile across his face. Things can be a little intense before shows but the crew and band were relaxed as could be. More suprising to me, rather than paying me and sending me on my way, they treated me like a guest.   I’ve been backstage enough to know it’s usually better to hang out after a show, unless you’ve run out of smokes I guess.

   Maybe Chuck welcomed me because we had mutual friends. I told him I previously met AIC at the Rainbow Room in LA after an OWL (Chris Wyse - bass, Ryan Brown-drums and Brad Ackley – guitar) show where I played roadie at the Viper Room..

   Chuck took me into the production office where I saw bassist Mike Inez warming up with a baseball bat, weight and all. ‘Yeah, it really helps warm up the fingers’ he told me. Then we discussed Chris Wyse’s upright bass playing and European tour they shared with Chris and The Cult.

   We crossed the hall to the band’s dressing room and I was standing behind Jerry Cantrell as he was putting into an ice bucket. I was told there was money on the line, so I bit my tongue. Jerry made the final putt and victoriously crossed to the other side of the room opposite the bubble hockey game. Chuck introduced me as the guy who brought the Marlboros and I reached across the bubble dome to shake Jerry’s hand, a bit awkward but there was no way I was going to miss that handshake. ‘I nearly talked with you at NAMM but you were pretty busy’; I said. I decided not to challenge Jerry to a game since Ryan warned me not to ever play air hockey with him.   Jerry, I’ve been told, is very competitive so I figured I would have no better chance at bubble hockey.

   

William Duvall

     Then phenomenal singer William Duvall looked at me like he knew me, ‘I met you at the Rainbow Room a couple years ago’ I said and he acted like he remembered although I can’t imagine he really did. We took a picture and it was back to the production office to await the hoodie Chuck had arranged to give me. ‘Would you like a seat’ he said.  ‘Sure’, so he stopped working, grabbed the radio and got me a ticket plus an all access wristband so I could go anywhere I wanted.

   Feeling it was too close to showtime to hang I let Sean Kinney pass without saying a word so as not to break his concentration and I left to check out the Deftones.   Then I took my seat for the show with my hoodie as cushion. Fortunately there were some cool guys in my row so I didn’t feel like I was at the concert alone.

Sean Kinney

I have a long history loving AIC beginning with my purchase of Facelift at Streetside Records. That store doesn’t exist anymore but I remember the street , parking lot, aisle, colorful cassette cover (yes...cassette cover it was the 90s) because as soon as I put the tape in, I knew this was something special. Around that time I went into business publishing music in Chicago, I failed so I looked for something I could sell

that people wanted…tobacco. It’s ironic how tobacco brought me back into music, especially through a weird chain of events such as this evening, very unexpected but rewarding just like AIC’s resurgence.  At the end of a great show I thought about how much AIC had overcome to sell some 6,000 concert tickets and be on top once again.

 

With the tragic passing of Layne Staley in 2002 and the end of his amazing talent, AIC seemed all but finished.  Layne not only gave the music purpose but melodies never heard before with such intense bravado. . Other than AC/DC , with Brian Johnson replacing Bon Scott, what other hard rock act has continued after the death of their original singer and flourished?   In the case of AC/DC a year passed between recordings… for AIC it was fourteen years, the time it takes from birth to high school.   Who would really care after that much time unless the band carried their relevance the same distance. (Note:  AIC's original bassist Mike Starr recently passed away...Peace to his and Layne's family and friends)

 

Jerry Cantrell

     AIC can be dark and brooding or light and mysterious at the flip of a switch. What exactly are they singing about? I don’t think you even have to know the lyrics to understand the mood.   Listen to DIRT alone in the dark in the fall on a cold night, Halloween if you dare. I did, it scared the bejeezus out of me and I loved evey minute of it!

     Great art is interpretational and the coolest thing about AIC is they never try to rob their audience of an emotional response to their music by telling what their songs are about. For me AIC is like a medievel bloodletting releasing the evil spirits into clear view so there’s nothing to fear anymore. After the exorcism there is room enough for my soul to flourish.

 

Deoxygenated blood is blue and only oxygen turns it red, while black is the harbinger of death. On AIC’s stellar release Black Gives Way to Blue, what makes the transformation possible…HOPE!   Hope for the chance to live another day and that tomorrow things will get better.   Keep breathing and someday there will be life.   AIC literally made it from black into blue, keep breathing fellas, red is just around the corner.

 

My adventure with AIC reminded me that whatever path I choose, there will be pain and detours but if I follow my heart there is a good chance I can get where I am headed. Music can be enjoyable, escapist, thrilling, exciting and cathartic. On a rare occasion, if you’re lucky you may even find redemption and go home with a nice hoodie.